Surprising Development
It’s nice when a television show gets its just desserts. It isn’t fair for programs to face cancellation because of a poor time slot or stiff competition. But even with exceptional acting and first-rate writing, a show can’t rely on its merits to guarantee survival.
And decent network programming is rare, especially comedy. A handful of current shows meet the bill and have endured, improving instead of weathering: The Simpsons, Scrubs and, thankfully, Arrested Development.
Development was almost cancelled after its first season, but Fox execs believed in the quirky program enough—without the ratings to warrant another season—to extend it a second chance. Following its approval for a stay, Development was nominated for seven Emmy awards and was recognized with five.
A DVD treatment of season one was rushed into the hands of its cult following shortly after the broadcast conclusion—with roughly nine hours worth of episodes and extras.
The show revolves around the wealthy Bluth family, recently driven to relative poverty with the arrest of its head George (Jeffrey Tambor), a business mogul, for questionable practices. Michael (Jason Bateman), the most responsible of the eccentric bunch, is charged with handling the company and championing the family, while its other members adjust to life without the company credit card.
The supporting cast members (Will Arnett, David Cross, Portia de Rossi, Tony Hale, Jessica Walter) work together like cogs with impeccable comedic timing, delivering brilliant lines with straight-faced sincerity. Its characters are wonderfully self-absorbed parodies brought to life by actors that embellish each quirk and flaw with affection. And Development uses a reality TV approach to exaggerate its rapid-fire punchlines by balancing comedy with a documentary taping style (with narration by producer Ron Howard).
After an episode or two, it’s tough not to get wrapped up in the absurd lives of the Bluth family and to wonder where creator Mitchell Hurwitz found the inspiration.
—Clint Casey

November 18, 2004 * Vol. 14, No. 47
© 2003 Metro Pulse
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