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JOHNNY DEPP'S GOT
NOTHING ON GREEN DAY
Whoever said the hell-raisin', booze-guzzlin', furniture-smashin' excesses
of '80s arena rock ended with the onset of the kinder, gentler Alternative
Nation obviously wasn't in Providence, R.I., this month when mall-punk megastars
Green Day hit town with opening act Superdrag in tow. According
to reports from S-drag manager Jake Ottman, a post-show party in the
Superdrag boys' hotel room got a bit out of control, to the point that "most
of the contents of the room went out of the window." No band members or other
sentient beings were included in the impromptu purging, Ottman is quick to
add.
Ottman says the destructive revelry was a prompted by "a bit of typical rock
'n' roll hyperactivity, primarily incited by the Green Day guys." Unfortunately,
when five cop cars arrived in the wake of the incident, the Green Day crew
"trashed and bailed," leaving our Knoxville boys behind with a $2,500 bill
for damages, plus eviction from the hotel.
In a gesture of commendable responsibility, however, Green Day and their
management showed up the following day and made full restitution for instigating
the melee. "After all, they're millionaires, and we're not," says Ottman.
That minor glitch notwithstanding, Ottman says the two bands are getting
along famously (which can't be said for some of the other modern rock poster-boys
Knoxville's fab four have toured with in the last couple of years).
In related news, it would seem that frontman John Davis has become
something of a latter-day Kilroy on the Los Angeles rock scene. While working
on the band's forthcoming sophomore Elektra CD at the city's venerable Sound
City studios (now the employer of Knoxville ex-pat, Movement bassist,
and up-and-coming sound engineer Nick Raskulinecz), Davis scrawled a poster-sized
doodle of the Superdrag members, Raskulinecz, producer Jerry Finn (of Green
Day fame) and a drum tech. The unsigned drawing, dubbed "Mulletica, Master
of Mullets," depicts the septet all sporting metal duds, appropriately goofy
hesher nicknames, and the infamous mullet 'do (apparently that singularly
unbecoming short-long coiffure is almost as ubiquitous in tinsel town as
it is around Knoxville). Six months later, the poster is still hanging on
the wall at Sound City, one of the city's most prestigious recording halls,
and reproductions have subsequently made the rounds among city hiperati.
NEVER SAY NEVER
The Nashville Music Awards, a pre-Grammy ceremony held in the Music
City since 1994, is a real-deal heavyweight industry event. Sponsored by
Leadership Music Group, the nominees are selected by a committee of two dozen
music professionals (headed by Sony Nashville executive Paul Worley and
publishing veteran Tracy Gershon) and voted on by the people of metro Nashville.
Among the nominees for the next awards (to be presented on January 21, 1998)
are Tim O'Brien, Alison Krauss, Patty Loveless, Janis
Ian, Chet Atkins, Amy Grant, and John Hiatt. For
Knoxville fans, however, the real find of the awards may be The Nevers,
nominated for the Best Unsigned Band award along with The EvinRudes, Malcolm
Holcombe, IAYAALIS, and The Shazam. In case you've missed the
Rickenbacker buzz, the Nevers are fronted by rock 'n' roll whiz kid John
Paul Keith (formerly of the V-Roys, but back when they were still called
the Viceroys) and include Rick Tiller (ex-Leaf) on guitar, drummer
Dave Jenkins, and bassist Paul Noe (both formerly of the Judybats
and Opposable Thumbs). With a whip-cracking brand of smart, crunchy guitar
pop and a fully developed mod sensibility (witness the sport jackets, the
skinny ties, three (!) Rickenbackers on stage at once), combined with Keith's
onstage acrobatics (particularly on the set-closing "Seven Day Weekend"),
the Nevers certainly seem to have the goods to ink a deal, and they've chosen
the right city for it. Check out their show at Barley & Hopps on
Sat., Nov. 29, and judge for yourself.
MAXIMUM ROCK 'N' ROLL
Local punk-girl-about-town Heather Robinson has been a busy camper
as of late. Aside from her usual duties of booking shows, writing articles
for several fanzines (including Maximum Rock 'n' Roll), and playing
bass in the new pop-punk (emphasis on the pop side) band Michael Michael
Motorcycle, she has just made a foray into the business side of the indie
rock world. Just last week Heather signed on as Tennessee label representative
for Chicago's Victory Records. Victory Records is well-known for it's
harder-than-hard-core releases by bands such as Snapcase, Warzone, Refused,
and straighter-than-you stalwarts Earth Crisis. (The latest addition to Victory's
roster is legendary Rastacore heroes Bad Brains.) Thanks to Heather's involvement
with Victory, we can expect a deluge of slammin' shows by nationally known
hard-core acts in the near future.
PUMP UP THE VOLUME...IF YOU
CAN
A fiery new salvo in the ongoing flyer wars has exploded with an assault
on telephone poles all over the campus and Fort Sanders area by 88.3 FM.
Proclaiming itself a herald of "all types of underground music and stuff
you can't hear anywhere else," especially jazz, hip-hop, and "music you can't
define," the flyers recall the glory days of pirate radio with a particularly
apt icon of a skull and crossbones and the propaganda slogans "Free the
airwaves!" and "Community Radio." Unfortunately, the DIY ethic prevents the
widespread dissemination of ideology, and the station is next to impossible
to pick up. Although we've heard you can tune it in on a clear day in Fort
Sanders, we've come across only a frustrating band of fuzz. Calls to the
number listed on the flyer were unreturned; if anyone knows anything, give
us a call.
BIG APPLE—UH, FOOT—IN
MY MOUTH
Don't ask us how it happened, but a couple of weeks ago I mistakenly reported
that Rachel Greena—former promoter extraordinaire of shows at
the Foundry—had moved to the Big Apple. Simply put, it ain't true. So
quit asking her about it. And, yes, I'm sorry.
—Zippy "When will this week END?" McDuff
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