þ7#ÞkÞ     ..\\\\ f pp‚x\ú A*k A2AAkAAAAAAAstro Noise Space Oddities Man or Astroman? bring you yesterdayÕs technology tomorrow! Who: Man Or Astroman? w/ The Quadrajets When: Sat., Aug. 19, 10 p.m. Where: Mercury Theatre How Much: $5 by Coury Turczyn ItÕs 1:10 a.m. EST, and the interstellar, transdimensional, extraterrestrial invasion force that is Man or Astroman? has just conquered a 7-11 in the Silverlake area of Los Angeles. Reenergizing themselves before their next gig at the nearby (and aptly named) Spaceland, the alien marauders have commandeered the convenience martÕs crude telecommunications device (read: the telephone) to give fair warning to the Earthlings of East Tennessee. ÒBeware of the Astroman,Ó declares spooky spokesalien Birdstuff, Òbecause the earth is our laboratory, and you are our lab rats!Ó Can it be true? Is all of humankind at the mercy of four nerdy-looking alien castaways who play surf guitar music and subsist entirely on Little Debbie snack cakes? Well, whether you know it or not, we are being invaded. ÒOur mission, of course, is to conquer the world,Ó proclaims Birdstuff, who also drums for the band in his spare time. ÒRight now, our biggest dilemma is deciding if weÕre gonna give it back or not. My vote is to destroy it. But the other guys havenÕt been quite as hip to the cause.Ó Whether or not the great masses of humanity can be conquered through the performance of surf rock remains to be seen. But if any group of alien creatures can do it, it would certainly be Man or Astroman?. The four musicians (including Starcrunch, Dexter X and Coco the Electronic Monkey Wizard) have been forging their own unique brand of surf since they crash-landed in Auburn, Alabama three and a half years ago. Taking the classic Dick Dale sonic guitar jangle of the early Õ60s, Man or Astroman? have fused it with a modern punk sensibility, creating instrumental twang-rock that ejects you right out of 007Õs Aston Martin and onto the grimy floor of your favorite beer hall. But thatÕs not all. Man or Astroman? deliver their atonal rumblings within a pop-culture framework of Õ50s science fiction and futurism. Their shows are multimedia smorgasbords of obscure visuals, wild electronic sounds and Òdead media,Ó as Birdstuff describes it. Meanwhile, their records are adorned with classic science fiction artwork (such as their debut LP, illustrated by Richard PowersÕ ghostly, abstract aliens) and have snippets of dialogue from long-lost psychotronic movies wedged in between the songs. Some would say all this is just inspired shtick, but there is an actual connection here if you look hard enough. Birdstuff sees surf music as hearkening back to a time when people looked forward to the future. ÒPeople were thinking so futuristically back then,Ó he says. ÒWe had all this tremendous technology from World War II, the A-bomb, and television, and it led people to think towards the future. Nowadays, people just see right ahead in front of their faces, like a dog being led around the track or a donkey being led by a carrot. ItÕs like thereÕs not anywhere to really go except whatÕs immediateÑand back then, people were thinking about colonizing Mars.Ó That isnÕt to say these celestial crusaders want to lay a message out there (which is, after all, the antithesis of rock ÕnÕ roll). No, audiences at their renowned live shows should expect one thingÑsurf-based chaos. ÒWe just give them the direct neural experience and let Õem splice out or decipher whatever they willÑwe donÕt try to get too, too heavy with our Earth subjects,Ó explains Birdstuff, perhaps lamenting EarthlingsÕ inability to fully comprehend the many levels of Man or Astroman?. ÒMainly, we just try to put on a cyber-kinetic punk rock show and let everybody have a good time.Ó Thankfully, Man or Astroman? have also avoided the historical downfall of surf rock instrumentalistsÑthe one that led to Jimi HendrixÕs famous vow, ÒYou will never hear surf music again.Ó That is the notion that after three songs, it all starts sounding the same. In other words, surf rock can get really dull really fast. Fortunately, Man or Astroman? has been smart enough to warp this classic formÑto the point of including audible human vocals on their latest LP on Estrus, Project Infinity. ÒWe never set out to be recreationistsÑwe were futurists from the start,Ó says Birdstuff. ÒSometimes it gets retrospective from looking back to look ahead, but weÕve never wanted to be recreationists. WeÕre kind of musical mad scientists. We snip and paste whatever we want to. If we want to get really traditional and do a lot of straight surf, weÕll do that. But if we want to bring in things that sound like buzzes off the surface of some unknown planet, then weÕll do that too. WeÕve never wanted to just completely regurgitate something for people thatÕs easily swallowable.Ó Finally, as his bandmates/fellow invaders head back to the club for their next show, Birdstuff is forced to sign off. Soon, theyÕll be rocketing into their own alternate reality onstage, backed by timewarping video devices. But it'll be only a small piece of what Birdstuff wishes the world was really like. ÒI think one of the most interesting things is yesterdayÕs futures,Ó he says, Òwhat people in the late Õ50s or Õ60s thought the future was going to be like. It was definitely different than how it is now. But maybe in a different, strange realityÑif those futures would have come about and everybody was popping around in a jet car somewhereÑthen maybe itÕd be cooler. 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