þ7#49;º39: : : : : :.X:†:†:†:† :� :š:š:¬x:†;$ ;D;k*;•: ;k;\;k;k;•%;k;k;k;k;k;kStrong Signals North Carolina's WNCW is One of the Most Popular "Local" Radio Stations in Town by Jack Neely It was a rumor hereabouts for yearsÑthere was an unusually diverse radio station out of Carolina that you could pick up just outside KnoxvilleÕs electromagnetic clutter, on Chapman Highway and some other places when the conditions were just right. A station like weÕd always wished for that mixed classic bluegrass with bebop and new rock ÕnÕ roll with crypto-folk. For most Knoxvillians, it remained just a rumor, like the outlaw X stations in Mexico. It was not quite a year ago that our scan buttons began to stop unexpectedly at a new spot on the dial: 96.7. We began listening to music we never expected to hear on the radio in the middle of the day, such as John Coltrane, Iris Dement, James Brown, Bill Monroe. ThatÕs because this North Carolina radio station found out that people in Knoxville were listening to their signal. They leased a ten-watt ÒtranslatorÓ tower on SharpÕs Ridge in North Knoxville and began calling our city part of their proper radio family. Now many consider this out-of-state interloper KnoxvilleÕs best ÒlocalÓ radio station. Making Waves WNCW is in Spindale, N.C. SpindaleÕs not just barely over the border, within some theoretical Knoxville metropolitan area. SpindaleÕs almost as far from here as Nashville. Depending on the condition of the interstate, it can easily take you longer to get there. In fact, itÕs a over an hour southeast of Asheville, where the mountains start to flatten out on the Atlantic Ocean side. SpindaleÕs much closer to Charlotte than it is to Knoxville. The accentÕs already changing there, and so is the weather. Spindale isnÕt well known. But if it were, it would be known as the home of Isothermal Community College. They named the college for the nice weather there, where the temperature allegedly doesnÕt top 80 or dip under 40. The school is a couple of miles away from downtown, a placid suburban-style community college on the banks of a pond called Lake Imogene, where white ducks and geese while away their idle hours. The college trains about 1,500 students, many of whom look like, and probably are, rural teenagers. ItÕs a commuter campus, with big parking lots. ThereÕs no artsy college-town feel about the place. But the campus, like it or not, is home to one of AmericaÕs most talked-about alternative radio stations. WNCW has no big sign, no big tower. You might have to ask more than one student where to find it. ItÕs in a one-story back wing off one of the more remote buildings on campus, a fluorescent, strictly utilitarian place built in the 1980s to serve IsothermalÕs new vocational radio program. The walls are cinderblock, painted white. It could easily pass for a radiologistÕs office. That is, until you get to the busy back part of the building, which is not quite so sterile, with postcards and posters of Tom Waits and Natalie Merchant. Like most radio stations, WNCWÕs studios look like theyÕre in the process of being ransacked, with piles of CDs, a sofa out in the hall, a desk just outside of an office. And music, whateverÕs on the radio. But these office workers get to decide whatÕs on the radio. This afternoon, itÕs WarÕs rowdy funk classic, ÒCisco Kid.Ó The man who does a lot of the deciding is Dan Reed, a big guy in his 30s who could probably do a convincing Rush Limbaugh impression if he were so inclined. HeÕs new, from Cincinnati, where heÕd been music director at the river-crossing alternative station WNKU. HeÕd heard good things about WNCW for years. He says WNCW is famous nationwide as one of the country's four or five best stations in the Adult Album Alternative format. ÒItÕs contemporary-sounding radio that encompasses a world of music,Ó he says. ÒItÕs geared toward an older audience, with a wide range: 25-54, sometimes skewed even beyond that. A lot of people say this station reminds them of what AOR was in the Õ70s. YouÕd hear John Coltrane on AOR, youÕd hear good countryÑand all album tracks. Then the powers that be started tightening things up, and they started playing Loverboy, Survivor, Night Ranger. ItÕs no wonder people want an alternativeÑwho can listen to that crap?Ó Reed had never heard WNCWÕs signal until this past summer, in Knoxville of all places. Reed has ancestral links to Knoxville and even Jellico, but he was here just because he was driving along the interstate to North Carolina to interview for the job. The guy who hired him was station manager Burr Beard. Originally from Pittsburgh, he worked on an eclectic-programming station up there. He doesnÕt look old enough to have gotten his masterÕs at Chapel Hill in the early Õ80s, but when he did he heard about a new radio instruction program at Isothermal, and signed up. WNCW started about ten years ago as a project by the Board of Trustees of the modest community college, purely as a project to enhance IsothermalÕs proposed radio and TV curriculum. Isothermal president Ben Fountain was determined to provide rural North Carolina with a forum for indigenous, rural music. Burr Beard added his broader interests to the mix. After a journey to D.C. to get NPR approval, and considerable red tape, WNCW went on the air in October, 1989. Indigenous music was one of WNCWÕs original missions, and itÕs still an important part of the programming, especially on the Spindale-originated ÒCrossroadsÓ shows. ÒCrossroadsÓ is something like a philosophy there; DJs talk about it like architects talk about postmodernism. ItÕs an especially eclectic mix that weaves in a good share of regional music. To Burr Beard, ÒCrossroadsÓ Òcreates a sense of tension, a challenge to respond or react. Like Robert Johnson, ÔDown at the Crossroads.ÕÓ DeLane Davis, a North Carolina native whoÕs the stationÕs development director, has a somewhat less daunting description of the eclectic mix. ÒIf you donÕt like the song thatÕs playing,Ó she says, Òwait. YouÕll like the next one.Ó The original listenership was described by acronym in the call lettersÑwestern North Carolina. In response to demand from a larger community, WNCW began installing transmitters to better serve surrounding communities. Early last year, they began reaching beyond those boundaries, first to Charlotte in the east. Soon the readers of CharlotteÕs alternative paper were picking WNCW as their favorite ÒlocalÓ station. Then, crossing state lines, WNCW reached out to the west, and Knoxville. Local Tunes Knoxville renaissance man Dwight Magnuson is a veteran engineer with a masterÕs in nuclear engineering who became more interested in a the older technology of radio. ÒItÕs the same stuff, applied differently,Ó he says. ÒItÕs math and physics. Neutrons or electricity, it doesnÕt make any difference.Ó He procured a couple of radio towers on SharpÕs Ridge and began working with local radio stations to enhance their signals in Knoxville. A couple years ago, one of his clients was the proposed Knoxville community station WDVX. Working with them, he heard about an ideal community radio station, WNCW. Magnuson found he could tune it in as he approached town in his Ô84 GMC pickup on Chapman Highway from his home in Seymour. ÒI thought it was great,Ó he says. ÒThey offered such a variety, for every tasteÑjazz or rockabilly or Motown. I even heard some classical music, once, a long time ago.Ó As the WDVX project fizzled, Magnuson heard WNCW was interested in expanding into the Knoxville market. He offered his lofty ten-watt translator. With the capable help of Channel 10 engineer Don Burggraf, Magnuson brought SpindaleÕs eclectic mix to Knoxville. Magnuson listens to WNCW in his one-room walkup on the east side of Market Square in downtown Knoxville as he scrutinizes topographical maps covering the southern Appalachian region. His radio is a 1960s Heathkit transistor model. Nearby is another radio receiver, a walkie-talkie that crackles occasionally. HeÕs intrigued with the notion of a new medium for regional music. ÒA long time ago, radio really reflected the character of the region,Ó he says. ÒThe way radio stations are today, the musicÕs determined by computers and surveys that identify the 18-26 market for males.Ó HeÕs interrupted by the walkie-talkie, which breaks through with a loud but unintelligible voice. Magnuson apologizes and turns it down. ÒIÕm a firefighter,Ó he says, as if itÕs the most ordinary thing in the world for a guy with two engineering degrees on his wall to do a little firefighting in his spare time. If thereÕs a fire in Seymour today, this nuclear engineer in downtown Knoxville needs to know about it. After 25 years as a professional engineer, MagnusonÕs ambition is now to be an emergency medical technician. HeÕs back in college to get a degree in nursing. ÒItÕs an outlet for good musicians who donÕt meet the commercial criteria, musicians who donÕt get airplay on commercial stations, and certainly donÕt get airplay on classical stations,Ó he says. He talks of WNCW as if itÕs the spiritual heir to the East Tennessee stations which launched the careers of early country stars. Tuning In Despite MagnusonÕs best efforts, WNCW is not easy to pick up in all of Knoxville, especially in suburban homes. The signal is concentrated in the central city, downtown, campus, maybe a couple of miles beyond, but on a good day in a car you can pick it up clearly well outside that circumscribed listening area. ItÕs easier to get in cars, Beard says, because a moving vehicle can tune in a spotty signal more smoothly. YouÕll probably need to stretch out your antenna more than you do for most local stations. Magnuson recommends a ten-dollar Yagi antenna, available at Radio Shack. Just be sure to aim it at SharpÕs Ridge (thatÕs north of downtown and UT). But even without a special antenna, Magnuson says heÕs picked WNCW up clearly as far away as Douglas Lake. Remember, the signalÕs only ten watts, hardly more than a typical AM station in the 1920s. For the immediate future, that will have to do; WNCWÕs not planning any expansion or enhancement in the immediate future. Cutbacks in federal funding are one concern, of course. But one that may be even bigger for KnoxvilleÕs share of the pie is the electromagnetic traffic that already crowds the lower part of KnoxvilleÕs FM dial. The FCC licenses public stations mostly at frequencies at the left end of the FM band. But here thereÕs already one powerful signal (WUOT), another lesser one (WUTK)Ñand a channel 6. The FCC is especially conservative about licensing public stations in markets where thereÕs a channel 6. Any other channelÕs fineÑbut if thereÕs a 6, it makes for interference in the nether regions of the FM band. Even WUOT has to rely on an expensive and complicated system to circumvent the Greystone beast. Still, WNCWÕs been gratified to get support from the Knoxville area in terms of call-in requests (all long distance, of course, at the callerÕs expense), pledges, and even fund-raising help. Several Knoxvillians made the drive over to Spindale to help with the stationÕs last fund drive. Beard is determined to prevail in spite of threats to federal funding. If it comes down to it, he believes, the stationÕs fans are so loyal and vigorous that WNCW could survive even a Helms-case scenario. Spindale may be the focal point of a new ÒcommunityÓ thatÕs hardly been acknowledged before. Since 1790, thereÕs been an artificial boundary (supplementing the natural one) along the Tennessee-North Carolina border, the spine of the Appalachians. Though culturally and topographically we have more in common with western North Carolina than we do with Middle Tennessee, weÕre just not used to thinking past that line. However, thanks to WNCW, weÕre now hearing about events in nightclubs weÕve never heard of in Asheville, Charlotte, and Greenville. And for the first time ever, people in central and western North Carolina are hearing about Knoxville musical and cultural events. WNCW co-sponsored KnoxvilleÕs first-ever Old City Folk Festival in August, which attracted attendees from North Carolina. Their mother transmitter on airy Mount Mitchell has engendered a new way of looking at culture. ÒUsually, the cities are the central market,Ó says Beard. ÒMost media markets emanate from the inside out, drawing the hinterlands into the city. WeÕre outside in. But weÕre trying to go to people where they are, not asking them to come here.Ó At the beginning, Beard admits, Òwe didnÕt know this ÔcommunityÕ concept would exist. We just knew we had a hell of a reach.Ó Magnuson thinks thatÕs only natural, and overdue. On his topographical maps, the southern Appalachian Mountains are much more obvious than state lines or metro areas or congressional districts. Maybe the signalÕs coming through. The folks at Spindale say that during their last pledge drive, early this month, they got more commitments from Knoxville than theyÕd ever had before. 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